Reviews & Essays

Hollow Images: How artists recall collective memory through images of absence by Bridget Sheridan, 2015

Spookbeelden van de Slagvelden by Maarten Van Alstein. Gierik, 2014

Entre Présence et Absence – Les Chantiers de la Mémoire by Bridget Sheridan. Chantiers Politiques, 2013

The Missing Peace by Marieke Ladru. Tubelight, nr. 88, August 2013

Bart Michiels : the space of memory. Essay by Simon Schama. July 2013

De Klik by Jan Bosteels. Focus, April 2013

The Absence of Atrocity : Bart Michiels’s The Course of History Photographs by Sonja Fessel. Taylor&Francis Online, July 2012

Battlefields Without Blood by Tom Peeters. Flanders Today, March 21, 2012

Onderzoek naar ijkpunten in documentaire fotografie by Luk Dewaele, Masterscriptie Sint Lukas, Brussel, 2011-12

Fotografische historische ervaringen. Het dilemma van het fotograferen van geschiedenis by Helen Westgeest.
Imaging History, FoMu Magazine EXTRA 10 XL, FotoMuseum, Antwerp, 2012

Sites of Battle : Photographs of War-torn Landscapes. On Bart Michiels’ The Course of History Photographs by Sonja Fessel. Imaging History, FoMu Magazine EXTRA 10 XL, FotoMuseum, Antwerp, 2012

Bridging distances across time and place in photography by Heleen Westgeest. Imaging History. Photography after the fact. ASA Publishers, 2011

An imaginary journey into the mirror of history by Federica Soletta. Art Experience : New York City, Jan 2011

The Course of History : Götterdämmerung. Review by Vince Aletti. The New Yorker, Jan. 3, 2011

The Course of History : Götterdämmerung. Review by Wayne Parsons. The New York Photo Review, Volume 1 Nr.40. Dec 15, 2010-Jan 4, 2011

The New York Times Lensblog. November 12, 2010

Silent Landscapes. Edited by Rosa Olivares. EXIT 38, May-July 2010

De Green Card ontgroend. Pulp Inc./Igepa Belux, Belgium, 2009

Là dove c’era la battaglia by Fiamma Arditi. La Stampa, July 8, 2009

A Sky filled with Shooting Stars. Review of AIPAD 2009 Online. March 25th 2009

Human/Nature : Recent European Landscape Photography. Review by Alice Thorson. The Kansas City Star, July 2008

The Georgia Review. Introduction by Mindy Wilson. Spring 2008

Boeiende Belgen in The Big Apple by Tom Ronse. De Morgen, 2008

The Course of History at Foley Gallery. Review by Vince Aletti. The New Yorker, Januari 28, 2008

The Course of History : The Mediterranean Theatre. Essay by Sarah Stanley. Catalogue, Foley Gallery, Januari 2008

Il Corso Della Storia. Interview by Selva Barni. RODEO Magazine (Milan), July/August 2007

Het gewicht van de blik, Bart Michiels’ Course of History by Pieter Van Bogaert. FotoMuseum Magazine, Feb. 2007

Fotograaf Bart Michiels zoekt vergeten tekens. Interview with Koen Vertessen. Attitude Special Summer, 2006

Novecento. Text by Marco Delugo. Cataloque for the Festival Internazionale Di Roma, April/May, 2006

Schuldige Landschappen. Text by Jan Bosteels. FOCUS, May 2006

The Course of History. Review by Bert Danckaert. (H)ART, May 11, 2006

EDIT #3 : Territoires. Interview by Saskia Ooms, online (edit-revue.com) March, 2006

Waiting in Silence by Sarah Stanley. Afterimage Vol.33, Nr.1, 2005

Review by Su N Madenci. Genis Açi (Istanbul) Nr. 40, March-April 2005

The Calender. The New York Sun, March 3, 2005

Voice Choices by Vince Aletti. The Village Voice, March 22, 2005

Theaters of War. Review by Choire Sicha. The New York Times, Sunday, February 27, 2005

Southern Trilogy and the Journey of Bart Michiels. View Camera, Nov/Dec. 2003

Review of BelgiaNomads show. Free Eye, May 2003

Review of BelgiaNomads show. Addict, April 2003

Review of BelgiaNomads show. De Morgen, April 2003

Review of BelgiaNomads show. Weekend Knack, April 2003

Review of exhibition at Agnes Gallery by James R. Nelson. Arts & Leisure, The Birmingham News, Feb. 1997

Review of exhibition at Agnes Gallery by Jane Longshore. Arts Round Up, Birmingham, Feb. 1997

Interview by Jan Vernieuwe. Het Nieuwsblad (Belgium), Jan 12, 1997

Popular Photography, October 1996

Review of exhibition at Wright Art Center. The Bolivar Commercial (Cleveland, MS), Sept. 26, 1996

The Project Network. Nancy Foley. Santa Fe Center for Visual Arts, May 1996

Pasatiempo. Gussie Fauntleroy. The New Mexican, Santa Fe, June 14-20, 1996

American Photo. Sue Alexander. July/August 1995